About Maria Porges...
|
|
American artist
(b. 1954 Oakland, CA)
|
|
Hand Signals II: Making
It Up As You Go Along, 1999 wax, wood, metal leaf, plexiglas
case
|
|
Acts of (Self) Deception,
2000 wax, wood, metal leaf, plexiglas case
|
|
Tutelary Spirits: Guardian
Angels For, 2000 wax, metal leaf, wood
|
|
The Names of Magic
#3, 2000 wax, wood, metal leaf, plexiglas case
|
|
Art + Magic = Science,
1999 monotype
|
|
Résumé
Maria Porges is an artist and writer whose work has been exhibited widely in solo and group exhibitions since the late eighties.
She received a SECA award from the San Francisco Museum of Modern Art and has twice been in residence at the Headlands Center for the Arts.
A finalist for the Creative Capital/Warhol Foundation Art Writer's Grant in 2014, her critical writing has appeared in many publications, including Artforum, Art in America, Sculpture, American Ceramics, Glass, the New York Times Book Review, and a host of other now-defunct art magazines.
She has also authored essays for over 100 exhibition catalogues and dozens of scripts for museum audio tours.
Porges is an Associate Professor at California College of the Arts.
Education
1979
MFA, University of Chicago, Chicago IL
1975
BA, Yale University, New Haven CT Also attended Grinnell College
and the San Francisco Art Institute
Solo
Exhibitions
Miraculous
Vessels, David Beitzel Gallery, New York NY, 2000.
Acts
of Deception, John Berggruen Gallery, San Francisco CA, 2000.
Art
+ Magic, James Harris Gallery, Seattle WA, 2000.
Hand
Signals, Gallery A, Chicago, IL (catalogue), 1999.
(S)
light of hand, Allene LaPides Gallery, Santa Fe NM, 1999.
Lost
Language, Arthur Roger Gallery, New Orleans LA, 1998.
History
Lessons, John Berggruen Gallery, San Francisco CA, 1997
Anodyne,
Arthur Roger Gallery, New Orleans LA, 1996
Twenty
Questions, John Berggruen Gallery, San Francisco CA, 1995
Angelography,
Sheppard Art Gallery, University of Nevada at Reno, NV, 1994
Fugitive
Time, Terrain Gallery, San Francisco CA, 1993
SECA
Award Show, San Francisco Museum of Modern Art, San Francisco CA
(catalogue) Meridian, 1992
Terrain
Gallery, San Francisco CA, 1992
Under
the Skin of Circumstance, Intersection for the Arts, San Francisco
CA, 1991
Read
\ See: The Book of Knowledge, Installation at San Francisco Camerawork,
1990
Harboring
Illusions in the Sea of Information, Southern Exposure Gallery,
San Francisco CA, 1989
Selected
Group Exhibitions
Summer
Group Show,î David Beitzel Gallery, New York, NY, July 20 ’ August
31, 2000.
What
is Art For?, Oakland Museum (Museum of California), Oakland, CA
(catalogue), 1999
Looking
at Ourselves: Works by Women Artists from the Logan Collection,
1999
San
Francisco Museum of Modern Art, San Francisco CA (catalogue), 1999
Recent
Acquisitions, Scottsdale Museum of Art, Scottsdale AZ, 1999
Considering
Still Life, Contemporary Art Center, Virginia Beach, VA, 1999
Museum
Pieces: Artists Look at the DeYoung, M.H.DeYoung Memorial Museum,
San Francisco, CA (catalogue), 1999
Four
California Conceptualists, B & D Studio Contemporanea, Milan, Italy,
1998
Art
Around the Bay: Recent Acquisitions, San Francisco Museum of Modern
Art, San Francisco, CA, 1998
Wild
Things, John Berggruen Gallery, San Francisco CA, 1998 Legible Forms:
Contemporary Sculptural Books, 1998
Hand
Workshop, Richmond VA:; Chicago Cultural Center, Chicago IL, 1998
House
of Wax, Contemporary Arts Center, Cincinnati OH, 1998
Posters,
DBL00 Gallery, Albuquerque NM, 1998
Image/
Text, Gallery A, Chicago IL, 1997
John
Berggruen at Andrea Friesen, Andrea Friesen, Gallery, Sun Valley
ID, 1997
Office
Art, University Art Gallery, University of New Mexico, Albuquerque
NM, 1997
Spring
Fever, Crown Point Press Gallery, San Francisco CA, 1997
Matters
of the Heart, Haines Gallery, San Francisco CA, 1996
Objects
Transcended, Allegheny College, Meadville PA, 1996
Figuratively
Speaking,John Berggruen Gallery, San Francisco CA, 1996
Glass:
Linking Art and Science, MIT Museum, Cambridge MA, 1996
Sex
Sells, Rena Bransten Gallery, San Francisco CA, 1995
25
th Anniversary Show, John Berggruen Gallery, San Francisco CA, 1995
The
Art of Light and Glass, Bedford Gallery/Regional Center for the
Arts, Walnut Creek CA, 1995
Points of Interest, Points of Departure, John Berggruen Gallery,
San Francisco CA , 1994
Transtextualization, Mark Moore Gallery, Santa Monica, CA, 1994
Espiritu
+ Geistigkeit, Cabrillo College Gallery, Aptos CA, 1994
SoEXX:
Southern Exposure's 20th Anniversary Alumni Exhibition, Southern
Exposure Gallery, San Francisco CA, 1994
Wunderkammer,
Rena Bransten Gallery, San Francisco CA, 1994
Art
About Books, Pratt Institute Galleries, NY/Brooklyn, NY, 1993
Beyond
the Written Word, San Jose Institute of Contemporary Art, San Jose
CA, 1993
The
Art of Text,Comus Gallery, Portland OR, 1993
Material
Departures, One Illinois Center, Chicago IL, 1993
The
Object is Bound, Stephen Wirtz Gallery, San Francisco CA, 1992
Homefront,
Falkirk Cultural Center, San Rafael CA, 1992
Paint\
Print , Rena Bransten Gallery, San Francisco,CA 1992
Undercover
\Out of Bounds, Scottsdale Center for the Arts, Scottsdale AZ, 1992
Sacred
Art, Bolinas Museum, Bolinas CA, 1992
A
Fragile Line: Artists Who Use Glass, Pro Arts, Oakland CA, 1992
Harlequin,
Terrain Gallery, San Francisco CA, 1992
The
Library of Babel: Books to Infinity White Columns, New York, NY;
Hallwalls , Buffalo NY (catalogue), 1991
Books
as Art, Boca Museum, Boca Raton, FL (catalogue), 1991
Erotic
Drawings, San Francisco Artspace, San Francisco CA, 1991
Buying the Magazine for the Ads, Terrain Gallery, San Francisco
CA, 1991
AMDG,
Installation at Grace Cathedral, San Francisco CA, 1991
Phenom
\ Phenotype: A Group Theory, Terrain Gallery, San Francisco CA,
1991
Summer
Salon, Upaya Gallery, San Francisco CA, 1991
Con\Text,
Richard/Bennett Gallery, Los Angeles CA, 1990
The
Writing on the Wall, DICE Gallery, Reno NV and DTO Gallery, Oakland
CA (with Jamie Brunson), 1990
The
1st Internatonal Festival of Contemporary Art , Soviet-American
exchange show: Moscow, Russia, 1990
The
Book as Metaphor, Folk Art and Craft Museum & California Craft Museum,
San Francisco CA, 1990
What's Wrong With This Picture? , San Francisco Arts Commission
Gallery, San Francisco, CA (catalogue), 1989
Tools;
Instruments; Implements; Utensils Airport Commission Gallery , San
Francisco, CA, 1989
Artists
and Books, Sierra Nevada Museum of Art, Reno NV, 1989
TranSan
Franciscoiguring the Mundane, New Langton Arts, San Francisco CA,
1988
Airport Cafe: Food Images by Contemporary Artists, Airport Commission
Gallery, San Francisco, CA, 1986
Chairs:
Historic Objects, Architectural Design and Sculpture, Airport Commission
Gallery, San Francisco, CA (catalogue) 1986
Beyond Words, San Jose Institute of Contemporary Art, San Jose CA,
1983
Three
Figurative Artists, Artworks Gallery, Sacramento CA, 1983
Pret
A Porter, Midway Gallery, Chicago IL, 1980
Awards
and Commissions
Artist in Residence, Headland Center for the Arts, Fort Barry CA,
1994
Art
in Transit (public art kiosk poster design commission for Market
Street, San Francisco), 1993
Visiting
Artist, Pilchuck Glass School, Stanwood WA, 1993
SECA
Award, San Francisco Museum of Modern Art, 1992
California
Arts Council Individual Artist's Grant, 1990
Recipient
of Critic's Grant as part of "City Sites" at CCAC, Oakland, CA,
1989
John
McCarron Criticism Grant, from San Francisco Artspace, San Francisco,
CA, 1988
Bibliography
¿Messages
in her Bottles: Maria Porges" wax work speaks to faith in art,
magic and science,î Jesse Hamlin, San Francisco Examiner, April
5, 2000.
"Critics
Choice: Art, Edward Ruscha, Maria Porges" Glen Holfand, San Francisco
Bay Guardian, March 29, 2000. "Witty ways with words, materials,"
David Bonetti, Gallery Watch, San Francisco Examiner, Friday,
March 24, 2000.
"Maria
Porges at Allene Lapides," Sarah S. King, Art in America, March,
2000. pp.137-138.
"Maria
Porges stays true to unique vision," Alan Artner, Chicago Tribune,
April 1, 1999 sec.5, p.2
"Maria
Porges at John Berggruen Gallery," Mary Hull Webster, Artweek, February,
1998 p. 18
"Art
1997 Chicago," Ruth Resnicow, Sculpture Magazine, October, 1997
p.68
"Openings,"
George Melrod, Art & Antiques, October, 1996 p. 30
Review,
Betty Klausner, Art in America, March "Bound for Glory," Ruth Askey,
Visions Art Quarterly, Summer, 1994
"Maria
Porges at Terrain," Alfred Jan, Visions Art Quarterly, Spring, 1994
"Through
a Glass Brightly," David Bonetti,San Francisco Examiner, April
1, 1994D-19, 1994
"San
Francisco FAX:Maria Porges at Terrain," Jamie Brunson, Art Issues
31, p.31, 1994
"Books
as Objects" (exhibition catalogue), Comus Gallery, Portland OR,
1993
"Strong
showings by three Californians," David Bonetti, San Francisco Examiner
12/3, p. C-18,lk, 1993.
"A
spine madness: reinventing the book as art,"Ann Sherman, Metro,
Dec..9-15, p.44,1993
"Time
flies, and only an angel can keep up," interview in Jejune, pp.1-4,
1993
"Strategies:
SECA ," Barrett Watten, Artweek 11/4,p.24, 1992
"On
View: San Francisco," Debora Donato, New Art Examiner, Sept. 1992,
pp.24-26,1992
SECA
Art Award 1992", catalogue, San Francisco Museum of Modern Art,
1992
"Conceptual
Art By The Book," David Bonetti, San Francicso Examiner 4/24, D2,
1992
"Down
Home," Charlotte Moser, Artweek 4/24, 1992
"From
Cover To Cover," Barbara Fisher, Artweek 5/7, p.26 1992
"How
Culture Defeats Nature," Kenneth Baker, San Francisco Chronicle
6/4 1992
"Mining
the Environment for Local Riches," Kenneth Baker, San Francisco
Chronicle 9/27 1992
"Remembering
and Forgetting," J. Rapko, Artweek 6/6, p.28, 1991
"Consensual
Erotica," Barrett Watten, Artweek 10/10, p.13, 1991
"The
Library of Babel," catalogue (Hallwalls/White Columns) , 1991
"Books
as Art," catalogue, Boca Raton Museum of Art, 1991
"Fugitive
Landings: Installations in San Francisco," Jeff Kelley, Visions,
Winter , p. 28, 1991
"The
Writing on the Wall: Women and Language at CCAC," B.Watten, Artweek
7/5, pp.12-13, 1990
"The
Writing on the Wall: Exhibition Review," Buzz Spector, Shift #11,
1990
"Conversation:
Maria Porges\Buzz Spector," Visions, Fall 1990, pp. 14-18, 1990
"Finding
a Message in Found Objects," Kenneth Baker, San Francisco Chronicle
1/7, C-.7, 1989
"The
Ordinary TranSan Franciscoormed," Glen Helfand, Artweek 1/7, p.7,
1989
New Langton Arts Catalogue of Programs, pp. 41-43, 1989
"What's
Wrong With This Picture? Artists Respond to Censorship," publication
in conjunction with Arts Commission Gallery exhibition, p.1, 1989
"1988
in Review: Alternative Spaces," Art in America, August, p.60, 1989
Publications
1986
to the present:Reviews, feature articles and columns about art,
artists and art culture in numerous regional and national art magazines,
including Artforum, Art in America, Contemporanea, Sculpture, Art
Issues, Artweek, Artspace, Art Today, Shift, Visions, Glass, the
New York Times Book Review, American Craft, American Ceramics and
others. Numerous exhibition catalogues for galleries and museums.
Audiotour scripts for over 35 major museum exhibitions.
Professional Activities/Teaching
Visiting
Faculty, graduate program, Stanford University, Stanford CA, 1999
Visiting
Faculty, California College of Arts and Crafts, Oakland CA, 1999
Faculty,
Pilchuck Glass School, Stanwood WA, 1999
Visiting
Artist, California College of Arts and Crafts, Oakland CA, 1998
Visiting
Artist, University of Illinois, Champaign, IL, 1997
Faculty,
Anderson Ranch Art Center, Snowmass Village CO, 1997
Faculty,
Pilchuck Glass School, Stanwood WA, 1997
Juror,
Marin Arts Council Sculpture Grants, 1996
Juror,
student art awards/fellowships, California College od Arts and Crafts,
1996
Visiting
Faculty, California College of Arts and Crafts, Oakland CA, 1996
Curator,
"The New Traditionalists," at the Museum of Art, University of Oregon/Eugene
OR, 1996
Visiting Faculty, San Francisco Art Institute, San Francisco, CA,
1996
Visiting
Artist, Cranbrook Academy of Art, Detroit MI, 1996
Faculty,
Anderson Ranch Art Center, Snowmass Village CO, 1995
Faculty,
Pilchuck Glass School, Stanwood WA, 1995
Artist
in Residence, Headlands Center for the Arts, Fort Barry CA, 1994
Curator,
"Wunderkammer," at Rena Bransten Gallery, San Francisco CA, 1994
Visiting Artist, Tulane University, New Orleans LA, 1994
Visiting
Artist, University of Nevada, Reno NV, 1994
Visiting
Artist, University of California at Berkeley, CA , 1994
Visiting
Faculty, San Francisco State University, San Francisco CA (spring),
1994
Visiting
Faculty, spring/summer, San Francisco Art Institute, San Francisco
CA, 1994
Artist
in Residence, Pilchuck Glass School, Stanwood WA, 1993
Visiting
Artist, Cranbrook Academy of Art, Detroit MI, 1993
Panelist,
"Ideas and Material," Henry Ford Community College, Dearborn MI,
1993
Panelist,
"Carried by the Current: Narrative Imagery," Susan Cummins Gallery,
1993
Juror,
Student Art Awards/Fellowships, California College of Arts and Crafts,
1993
Visiting
Faculty, San Francisco Art Institute (spring semester), 1992
Lecturer,
contemporary art history, JFK University, Orinda CA (winter quarter),
1992
Juror,
San Francisco Artspace 1992 Writing Grants, 1992
Juror,
New Mexico Invitational, Albuquerque Artist's Ass'n, 1992
Criticism
seminar/lecture at San Francisco Art Institute, summer conference,
1991
Curator,
"Image/Object/Place," Oliver Art Center, CCAC, Oakland CA, 1991
Member,
Curatorial Board, Southern Exposure Gallery, San Francisco CA,
Instructor,
summer school, Ceramic College at Alfred University, New York: seminar
on critical language
Panelist,
"The Critic as Artist," Hayward State University, CA, 1989
Moderator
for "Containment" panel, DICE Gallery, Reno NV, 1989
Curator,
'The New Narratology: Examining the Narrative in Image-Text Art,"
at San Francisco Artspace Annex; traveled to the Museum For The
County of Santa Cruz, CA; the Center for the Fine Arts, Miami FL;
University of Texas at Arlington, TX. Lectures and panels at all
venues, 1989
Member
of Artist's Committee, San Francisco Art Institute, 1988-90
Member,
Advisory Board, Whitewalls Magazine , 1987-90
Poetry
and prose published in various small press publications, 1984-87
Teaching
Assistant for Theory of Art, Printmaking, University of Chicago,
1978-9
Ceramics
apprenticeship, Daigo, Japan, 1975-6
Selected
Lectures/ Readings/ Performances California College of Arts And
Crafts, Oakland CA, 1999
California College of Arts and Crafts, Oakland CA, 1998
San
Francisco Museum of Modern Art (Society for the Encouragement of
Art), San Francisco CA , 1998
University of Illinois at Champaign, Il, 1997
Cranbrook
Academy of Art, Detroit MI, 1996
University
of Chicago, Chicago IL Anderson Ranch Art Center, Snow Mass CO,
1995
Sonoma
State University, Rohnert Park CA, 1994
Headlands
Center for the Arts, Fort Barry CA; Tulane University, New Orleans,
LA;, 1994
University
of Nevada at Reno, Reno NV; University of California at Berkeley,
Berkeley CA,1994
San
Francisco State University, San Francisco CA; Richmond Art Center,
Richmond CA, 1994
Cranbrook
Academy of Art, Detroit MI, 1993
California
College of Arts and Crafts, Oakland CA, 1993
Studio
Inferno, New Orleans LA, 1993
Art
Center, Pasadena CA, 1992
University
of California at Davis, Davis CA, 1992
San
Francisco Art Institute (graduate program)\ San Francisco, CA, 1992
Northern
CA Women's Caucus for the Arts, 1992
San
Francisco Museum of Modern Art, San Francisco, CA, 1992
California
State University/Los Angeles, CA, 1991
SAN
FRANCISCO Camerawork, San Francisco, CA, 1990
San
Jose State University, San Jose CA, 1990
"Family
Stories," performance/reading at Intersection for the Arts, SAN
FRANCISCO, 1990
Art
Academy, San Francisco CA, 1988
Performance/Reading
in "Visual Voices: A Spoken Word Event", 1988
Southern Exposure Gallery, San Francisco CA, 1988
Reading,
Falkirk Center, San Rafael CA, 1987
Reading, Cody's Books, Berkeley CA, 1986
"Renga," Performance-in-Progress, Berkeley Art Center, Berkeley
CA, 1983
"Go,"
performance collaboration with D.Slater, New Performance Gallery,
SAN FRANCISCO CA, 1980
"Masks for Tools," performance, Midway Gallery, Chicago IL, 1979
|